- lypophrenia: a feeling of sadness seemingly without a cause
- drapetomania: an overwhelming urge to run away
- escapism: a mental desire to retreat from unpleasant realities through fantasy
- wanderlust: a desire to travel, to understand one’s very existence
- dysania: the state of finding it difficult to get out of bed in the morning
- sanctuary: a small safe place in a troubling world
- metathesiophobia: fear of change
(via thejackals)
Source: ohbabyitsnatalie
what
the fuck
is this amazing thing
This is a neat little program that all you writers out there should take a look at.
I’ve only used it a little bit myself, but I can see how helpful it can be in writing a story. It provides a place for you to write down your characters, all your plot points, your chapters, settings, story lines, and any other ideas you come up with while writing, amongst other things. I don’t think I can really explain it best so I’ll leave it to the website to explain its features:
Storybook comes with 4 views:
- The Chronological View shows the scenes sorted by date. Each strand has it’s own column.
- The Manage Chapters and Scenes viewshows all chapters and their assigned scenes. Scenes can be moved and renumbered by Drag-and-Drop.
- The Book View shows all chapters and their assigned scenes sorted by chapter and scene numbers, as you would read it in the final book.
- The Reading View (a mode of the Book View) shows the text as in a final book. Strands can be shown or hidden.
Storybook helps you to keep the overview, especially helpful for complex stories with two or more plot-lines (strands). Imagine it as a kind of a interactive, dynamic mind map.
- Strands (Plot-Lines): Each scene belongs to a primary strand. Optionally, other related secondary-strands can be linked to a scene.
- Characters: Add, edit or remove characters and assign them to scenes. A character’s gender can be male or female, or you can add your own genders, too.
- Locations: Add, edit or remove locations and assign them to scenes.
- Tags and items: Tags and items can be assigned to scenes, locations and characters. The time frame can be defined by setting a start scene and end scene. A table overview shows all assigned objects.
- Chapters: Define your chapters and assign scenes to them.
- Parts: Large projects can be split into well-arranged parts.
- Object Tree: A hierarchic tree shows all characters, locations, tags and items as well as chapters and their assigned scenes. Below the tree all important information about the selected object is shown. If scenes are missing or exist twice, a warning informs you.
- Global Ideas: While writing authors have all kind of ideas that come up suddenly. No more Post-it needed! With the “Global Ideas” feature, you can save your ideas anytime and assign them to the levels “Not started”, “Started”, “Completed” and “Abandoned”.
- Adjustable view: All views can be re-sized to fit to screen or to get a better overview. Even more working space is available if you hide the information panel with a simple click on the tool bar.
- Task List and Navigation: The task list shows all scenes with a status other than “done”. With the “Go to date” respectively “Go to chapter” navigation you can easily jump to the desired date or chapter-number.
- Spell Check: Your text can be checked for spelling. New words can be added to your personal user directory.
aaah cool! I use Scrivener for bloody everything but this looks like it has a few interesting features too.
Source: mathematicbeauty
Some things I’ve taught myself through out the years. I have not gone to college for art or comics, these are things I’ve learned by just trying to make comics by myself.
I’ve also learned this stuff on the fly, through reading and doing. Regarding that last one: you can also use other elements to guide the reader’s eye through the page - shapes of objects, perspective on elements that “zoom” from top to bottom or right to left, etc.
Source: chipperwhale
I’ve been reading up on body language and stuff trying to make my comics less stiff. I put my notes into reference sheet form so other people can use them. I actually took a while making this, so I hope you guys find it interesting!
Also, this font didn’t have apostrophes or quotes so a lot of things seem awkward!? Sorry about that.
also I didnt know this before I made it but the book I was taking notes on is already online… d’oh
bringing this back
Source: goknights
OK SO i get asked about colors a lot and i’m really sorry i am so lame at giving detailed answers SO I’M GONNA ATTEMPT TO FORMULATE SOME„, BASIC TIPS I GUESS
LET ME JUST START OUT BY SAYING i’m not really a very skilled or fancy or formally educated artist (shocking i know) and i don’t take drawing very seriously, BUT I HOPE A FEW THINGS I HAVE SAY WILL HELP YOU(extra commentary in case anything is hard to read, here is the whole thing in one pic and not an obnoxious photoset)
1. HAVE FUN WHEN YOU ARE COLORING JEEZ don’t loose hair over trying really hard to study and adsorb shading and lighting ‘ruuuules’!! and while enough basic understanding is obviously important and necessary in creating believable and realistic pieces, being creative is also really important as well!! the bottom line of art is that there ARE no rules, and if you really do want to be happy with your work, i find a lot of satisfaction arises in knowing i made something only /I/ could make!! and besides, if i didn’t have fun making art, then i wouldn’t do it, frankly
2. PAY ATTENTION TO WHAT TONE YOUR COLORS PORTRAY this is especially true for people and expressions and setting
since color is such a big part of a piece, it also plays a big role in setting the tone of your work!! take a minute to evaluate the context of whatever you’re drawing and then try to see what colors would best parrallel that! and especially don’t be afraid to venture into palettes you don’t normally use!! but once you choose a palette that matches the tone of your work BE SURE TO STICK WITH IT so it is contiguous in both the background and foreground
(i used twilight princess and skyward sword as an example, i hope my analysis makes sense)
3. be sure to scribble with and test how colors look together BEFORE you take them to your lines!! and finally HAVE FUN WITH YOUR COLORING i know i already said this but it’s simply tragic when an artist becomes bored/uninterested/frustrated with colors ahhh!!! remember that every artist has different coloring styles so try you best to observe others’ techniques!! pay attention to what you like about them, but ALSO pay attention to what you dislike!!
practice a lot of styles, and ask around which programs/brush settings artists use if you find yourself interested in them!! i’m sorry i can’t help you with more technicalities, but learning for yourself is also half the fun!! plus i’m a lazy motherfucker and i’m bad a tutorials anyway
OKKKKAAY THANKS FOR READING OLLIE OUT
(via nayzemonstar)
Source: snoipahkat
Source: sei-la-mia-vita
photoshop users: here is a magical thing
download, install, select “pencil stumpy 6pt” from the tool presets dropdown, turn up the width to around 14px, enjoy.
Source: aeromachia

